20 images portfolio

Ambivalence (2023) statuario striato marble: H. 21 cm – 8.2 in.
Sculpture with an infinite number of names (2024) black soapstone: H. 23.5 cm – 9.2 in.
Exhibited in Neither Here nor There, University of Pittsburgh Studio Arts Faculty Exhibition. Curator: Ellen Larson. Brew House Arts, Pittsburgh, PA.
Doll (2018) Indian green soapstone: 2 x 3 x 11 in.
Performed and exhibited in 1Ensamble, Cathouse Proper, Brooklyn, December 2, 2018 – January 6, 2019
A group show of works intuitively arranged (along with some decorative details) from the multiplicity of knowing and relations.
invisible matter (2017) bronze, patina, 6 1/2 x 15 x 8 in.
This work is part of a large project comprehensive of drawings, video, and a series of bronze sculptures depicting used gloves I collected from immigrant workers in construction sites in Texas.
Exhibited at Cathouse Proper, Brooklyn (2018) Pe(n)sare – Weighing & Thinking, performance for a bronze sculpture.
107 Days / 100 Drawings (2009). Detail of the installation. 100 ink drawings on newspaper and watercolor paper.
100 portraits of used gloves collected by immigrant workers in Texas during the first 100 days of the Obama administration.
 Exhibited in Work, (solo exhibition) Galerie Paul Andriesse, Amsterdam
Labor #2 (2007) Video, Audio, mins. 11:30

Gong (2003) audio live-plastic installation (foam machine, timer, sound system).
Exhibited in Gong (Solo Exhibition) Galerie Paolo Boselli, Bruxelles (2003)
Gong (2003) audio live-plastic installation (foam machine, timer, sound system).
Exhibited in Gong (Solo Exhibition) Galerie Paolo Boselli, Bruxelles (2003)
Gong (2003) audio live-plastic installation (foam machine, timer, sound system).
Exhibited in Gong (Solo Exhibition) Galerie Paolo Boselli, Bruxelles (2003)
MU (2002) wooden sculpture: 75 x 190 x 135 cm.
Exhibited in Finiscimi, solo exhibition at Tucci Russo Studio per l’Arte Contemporanea
Parallel Phenomena (2008), terracotta, approx. 10 x 10 x 12 in. Exhibited at e/static
Gong (2003) audio live-plastic installation (foam machine, timer, sound system).
Exhibited in Gong (Solo Exhibition) Galerie Paolo Boselli, Bruxelles (2003)
Gong (2003) audio live-plastic installation (foam machine, timer, sound system).
Exhibited in Gong (Solo Exhibition) Galerie Paolo Boselli, Bruxelles (2003)
Gong (2003) audio live-plastic installation (foam machine, timer, sound system).
Exhibited in Gong (Solo Exhibition) Galerie Paolo Boselli, Bruxelles (2003)
Gong (2003) audio live-plastic installation (foam machine, timer, sound system).
Exhibited in Gong (Solo Exhibition) Galerie Paolo Boselli, Bruxelles (2003)

Gong (2003) audio live-plastic installation (foam machine, timer, sound system).
Exhibited in Gong (Solo Exhibition) Galerie Paolo Boselli, Bruxelles (2003)
Gong (2003) audio live-plastic installation (foam machine, timer, sound system).
Exhibited in Gong (Solo Exhibition) Galerie Paolo Boselli, Bruxelles (2003)
Young Nettle (2006) bronze, patina, H. 61 in.
Exhibited at Paolo Boselli Gallery, Bruxelles (2006) and at Tucci Russo Gallery, Torre Pellice (2007), BAM Biennial of Piedmont (2018)

Orticaio -House of stinging nettles (1999), plexiglas, epoxy resin, plasticine, neon, metal. 135 x 170 x 135 cm
One year’s seed, seven years weed (2006-2007) audio work. Four voices whisper texts collected on the web on how to get rid of weeds. Exhibited at Centro per l’arte contemporanea Luigi Pecci, Prato, Italy

Some Prefer Nettles (2007) digital installation. 3D animation, silent. loop 8 min. 
Installation in the crypt of the Museo Marino Marini, 2007.
The incessant growth of this infesting plant is the matrix for a reflection on survival, on visibility and on free movement. For many people nettles are just a weed, something to get rid of. 
Exhibited in Poi piovve dentro a l’alta fantasia, Museo Marino Marini, Firenze, Italy. May 25 – June 30, 2007. Curated by a.titolo.
Some Prefer Nettles, (solo exhibition) MLAC Museo Laboratorio d’Arte Contemporanea, Rome, Italy